Anthony McCall

26Jun07

 

selections from part 6 of ‘Sparing with the Spectacle’
BRANDEN JOSEPH
As noted, when discussing “Long Film for Four Projectors” McCall
Consistently chose not to emphasize the installation’s spatial or
sculptural effects for themselves so much as for their impact upon the
viewers, specifically the manner in which they disrupted the
audience’s identity as a defined or unified entity. [...]

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